Art: "Enveloped" by Emily Rankin
Poetry: "Before I Dig" by Bianca Pina
I mark the points
on flattened ground
draw the shape
of time, on each mark
I will dig.
the topsoil is heavy
threaded tendon-
roots snap against
the edge of the spade.
I dig through the footings
of our unbuilt house
the holes I watched fill
with rainwater,
like open mouths.
I reach rock
and give up, set down
my spade. I rest
until the sky
is reckless again.
The only way out
is down. So I dig.
I scrape
with caked nails and
dextrous fingers
I pluck stones and
shift the soil, I reach
the blackberry place, the foot
of the foot, slick tar-like
peat that fumes.
until I slosh
wet dirt to find
a clean pink finger.
I dig at its edges,
it has a hand. Neat,
folded fingers. Dirty nails
like lash-lined eyelids.
I uncover an arm,
a shoulder, neck and flank –
blueish nipples and tissue skin
crusted with soil, but not scarred,
fresh, I discover
it’s a girl.
I unearth her chin
her mouth I carefully clear
I push her brown hair back
her nose and tidy face
frozen, but gentle,
though sleeping, the way
a child is restored
at night. I’ll carry her now,
out, with the rest of me.
Published April 26th 2024
Bianca Pina is a multi-disciplinary artist, poet, and designer based in London. Her work encompasses many mediums including language, ink, clay, pixels, photography and illustration. Bianca has completed an MA in Writing Poetry through Newcastle University & The Poetry School London. Her poetry often has an arresting, brittle quality that can be both jagged and tender and explores the complex fields of family and personal history. She has published a chapbook titled Artificial & Otherwise with Good Space Gallery (2023) for their Machine Dreams exhibition. Individual poems have been featured in Empty House Press, Green Ink Poetry, Sybil Journal, Acropolis Journal, Black Iris Poetry& The Pomegranate London. Her work can be found via her website, monthly newsletter, and IG.
Emily Rankin was born in Riverside, California and attended university in Texas, where she received a BFA in 2011. Her body of work deals with the tangles of human emotion and understanding, the intuitive messages of dreaming and subconsious exploration. Her work has appeared in such publications as Gasher, Wild Roof Journal, Raw Art Review, Metonym, Meat for Tea, Landlocked, Black Fox, Zoetic Press, Hey I’m Alive Magazine, and Rattle. She is currently based in New Mexico. www.eerankinart.com